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ROQ Audio M10C XLR


-20%

Condenser Microphone

  • condenser type with a large diaphragm of 34 mm.
  • switchable polar patterns: cardioid, bidirectional, omnidirectional.
  • 10 dB signal attenuator and low-pass filter switch at 100Hz.
  • frequency response from 20 Hz to 20 kHz.
  • includes M10C XLR microphone and SM1 shock mount.
ROQ Audio
6516 , save 1307
5209
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Shipping 13.00 €
Warranty 24 months
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ROQ Audio M10C XLR, condenser microphone with selectable characteristics. Owning a multi-purpose condenser microphone is wonderful when, with a simple switch, you can change the polar pattern from unidirectional (cardioid), bidirectional (where you capture from the front and back of the microphone) to omnidirectional, allowing you to capture recordings from all directions. This makes it ideal for almost any recording application, from live performances, stage, orchestral recordings, or home/studio recordings.

M10C also features a high SPL input level, a low-pass filter, and a signal attenuation switch to make this microphone incredibly versatile.

  • Condenser type with a large diaphragm of 34 mm
  • Switchable polar patterns: cardioid, bidirectional, omnidirectional
  • 10 dB signal attenuator, switchable
  • Low-pass filter switch at 100Hz, 6dB/oct
  • Frequency response: 20 Hz – 20 kHz
  • Sensitivity: -36dB +_2dB (Odb= 1V/pa at 1 kHz)
  • Output impedance: 150 ohms +_20 % at 1kHz
  • Impedance: >1000 ohms
  • Noise: 13 dB A
  • Input Max SPL: 130 dB at 1 kHz <_1% THD
  • S/N ratio: 81 dB
  • Phantom power required: +48 V
  • Dimensions: 48 mm x 180 mm
  • The set includes:
    • 1 x M10C XLR AudioQ condenser microphone
    • 1 x SM1 shock mount

Product code: M10C

Unit of sale: piece

Specifications:
Capsule type: condenser
Polar pattern: multiple, selectable
mono/stereo/set: mono
Audio frequency range: 20 - 20 000 Hz
Digital interface: without
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Customer reviews:

13.07.2024, 10:22

Very cool!

An excellent low-budget microphone! It surpasses the AT 2020 or RODE NT 1. Very good signal-to-noise ratio and also very "quiet" at only -13 dB. Frequencies are very clearly defined. It's not as sibilant as the two mentioned microphones. A surprise for me! Works very well for acoustic guitar too. One observation: it is not multipattern. It is only cardioid.

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