BOSS IR-200 - Direct amplifier and IR power for performance, recording, and individual practice.
Introducing the IR-200, the most advanced compact amplifier/IR solution available. This powerful stompbox brings top-level performance to direct sound for guitar and bass, offering exceptional audio quality, premium amplifiers, deep sound modelling, and instant recall. Over 150 high-resolution impulse responses from BOSS and Celestion Digital, plus 128 memory locations for loading your own mono or stereo IRs.
The IR-200 transforms your pedal into a standalone direct sound solution for live playback, studio recording, and practice. It delivers massive amplifier tones from a small footprint and integrates seamlessly with all your favourite pedals, including stereo modulation, delay, and reverb effects. Once you create your tones, you can send them to a stage amplifier, a PA, a computer recording system, or headphones - or even all at once.
Standard Specifications:
Pedal-based amplifier simulator and impulse response loader with premium sound and features
32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate
128 user IR slots supporting mono and stereo WAV files, floating-point resolution up to 32-bit/96 kHz, and lengths of 200 or 500 ms
Large preset cabinet IR library with 144 BOSS IRs and 10 Celestion Digital IRs
Top-notch IR reproduction with two custom DSPs
Eight types of guitar amplifiers and three bass amplifiers to cover a wide range of styles
Run up to two IRs simultaneously in mono or stereo
128 memories for storing user settings
Two EQs in each memory plus two global EQs, all with selectable parametric or graphic operation
Ambience types: room, studio, and hall
Effects loop with mono send and mono/stereo return, with selectable pre-cab or post-EQ positioning
Dedicated software for loading cabinet IRs and saving memory
Versatile USB audio interface for recording and playback with music software on Mac, Windows, and iOS devices
Deep support for external control via footswitches, an expression pedal, and TRS MIDI
High-Resolution IR
Powered by two powerful custom DSPs, the IR-200 delivers exceptional IR performance with support for mono and stereo files, floating-point resolution up to 32-bit/96 kHz, and lengths up to 500 ms for a natural bass response. The 144 BOSS and 10 Celestion Digital IRs cover a wide range of cabinet and microphone combinations and are always ready to use in patches. And with the IR-200 IR Loader software for macOS and Windows, you can load up to 128 mono or 64 stereo WAV IRs from your personal collection.
Built-in IR Types
Guitar Cabinet IRs Created by BOSS
Each cabinet has six different microphone types with two distance options.
Speaker
Cabinet Type
1 x 12"
BOSS Original (Open Back)
2 x 12" JC-120
Roland JC-120 (Open Back)
2 x 12" Jensen C-12K
Fender Twin Reverb (Open Back)
2 x 12" Celestion G12M Greenback
VOX AC-30 (Open Back)
4 x 10" Jensen P10R
Fender Bassman (Open Back)
4 x 12" Celestion G12M Greenback
Marshall 1960B (Closed Back)
4 x 12" Celestion G12T-75
Marshall 1960B (Closed Back)
4 x 12" Celestion G12M Greenback
Bogner Ubercab (Closed Back)
Bass Cabinet IRs Created by BOSS
Each cabinet has six different microphone types with two distance options.
Speaker
Cabinet Type
1 x 18" SWR
Big Ben with dual rear bass reflex ports
2 x 15"
BOSS Original (Closed Back)
4 x 10"
SWR Goliath with built-in horn tweeter (Closed Back)
8 x 10"
Ampeg 810E (Closed Back)
Guitar Cabinet IRs Created by Celestion Digital
Speaker
Cabinet Type
1 x 12" Celestion Cream
Open Back
1 x 12" Celestion Ruby
Open Back
2 x 12" Celestion Blue
Open Back
2 x 12" Celestion Heritage G12H(55)
Open Back
2 x 12" Celestion Vintage 30
Closed Back
4 x 12" Celestion G12T-75
Closed Back
4 x 12" Celestion G12H-75
Closed Back
4 x 12" Celestion G12M Greenback
Closed Back
4 x 12" Celestion Heritage G12H(55)
Closed Back
4 x 12" Celestion Vintage 30
Closed Back
The names of the companies and products mentioned above are registered trademarks or trademarks of their respective owners.
They are used because it is the most practical way to describe the sounds that are emulated using DSP technology.
Premium Tones for Guitar and Bass
The inspiring amplifiers of the IR-200 feel great, sound fantastic, and interact beautifully with drives and other types of front pedals. Eight guitar amplifiers provide suitable platforms, from classic clean, tweed, and class A to vintage and modern high-gain, while three bass amplifiers deliver rich and powerful sounds, from clean to driven. Each amplifier type features sensitive controls for gain, bass, mid, and treble to quickly dial in the essential sounds, and a noise suppressor is handy to tame high-gain noise. It is also possible to completely bypass the amplifier section and use the high-quality IRs of the IR-200 cabinet with a load box amplifier configuration or an external modeller.
IR-200 Amplifiers for Guitar and Bass
Types of Guitar Amplifiers
NATURAL
The original BOSS amplifier type with balanced, clean, and driven sound
JC-120
Model of a Roland JC-120
TWIN COMBO
Model of a Fender Twin Reverb
DIAMOND AMP
Model of a VOX AC-30
TWEED COMBO
Model of a Fender Bassman from '59
X-HI GAIN
Original BOSS amplifier type that uses MDP (Multi-Dimensional Processing) technology to produce a high-gain sound with a wide range and clarity
BRITISH STACK
Model of a Marshall 1959 Super Lead
BGR UB METAL
Model of a high-gain channel of a Bogner Uberschall
Types of Bass Amplifiers
NATURAL BASS
Original BOSS amplifier type with clean, uncoloured sound
X-DRIVE BASS
Original BOSS amplifier type that uses MDP (Multi-Dimensional Processing) technology to produce a high-gain sound with a wide range and clarity
CONCERT
Model of an Ampeg SVT
The names of the companies and products mentioned above are registered trademarks or trademarks of their respective owners. They are used because it is the most practical way to describe the sounds that are emulated using DSP technology.
Deep Sound Control
Offering deep sound shaping tools and 128 memories, the IR-200 allows you to build a library of settings for every situation. Use different amplifiers for different styles, do more with two parametric or graphic EQs, and add some space with one of the three ambience effects. Two IRs can be used simultaneously, allowing you to mix tones or create wide stereo sounds. There is also an effects loop that can be positioned before or after the cabinet IR section, complete with support for stereo effects, series/parallel operation, and more. And at the end of the chain, two global EQs are available for final sound refinement.
Diagram
*1 Supported only by the VENDOR driver (IR-200 driver) for Windows and macOS. Not supported by iOS.
Stage Commander
With the IR-200 display, panel controls, and flexible connectivity, you can work confidently on any stage. Grab the dedicated knobs to modify tones in the heat of the moment and send independent streams to a stage amplifier and a PA via the two output jacks. Scroll through memories with the two integrated footswitches while performing and control a variety of functions with external footswitches or an expression pedal. MIDI control is also available, allowing you to interface with other pedals and MIDI-equipped devices, such as the ES-8 and ES-5 loop switchers.
Ready for Recording and Live Streaming
Alongside its other powerful features, the IR-200 is a high-quality USB audio interface for music recording and streaming software. Dedicated drivers provide a full range of audio interface functionalities on macOS and Windows computers, while basic stereo audio streaming is possible with iOS devices. Record tracks and monitor sound with your computer's DAW, re-amp sounds through pedals, amplifiers, and the IR-200 cabinet IRs. Or perform live on your favourite streaming platforms with fantastic direct sound.
Practice, Monitor, and Play Along with a Backing Track
The IR-200 is also equipped with a headphone jack for monitoring sound while practicing, recording, or playing live. You can play with normal stereo sound through headphones or switch to a cool surround effect for an immersive sound experience. There is also a stereo auxiliary input for jamming along to songs or supporting music from your phone, mixer, or other audio device.
Technical Specifications:
Sampling frequency: 96 kHz
AD conversion: 32-bit + AF method * AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that significantly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA conversion: 32-bit
Processing: 32-bit floating-point
Memory: 128
IR cabinet data format: Mono/stereo, max 500 ms, 44.1/48/96 kHz, 16-bit linear/24-bit linear/32-bit floating-point
IR cabinet preset: 154
User IR cabinet slot: 128
Normal input level:
INPUT, RETURN: -10 dBu
AUX IN: -20 dBu
Maximum input level:
INPUT, RETURN: +7dBu
AUX IN: 0 dBu
Input impedance:
INPUT, RETURN: 1 M ohm
AUX IN: 27 k ohms
Normal output level: OUTPUT (A/MONO, B), SEND, PHONES: -10 dBu
Maximum output level: OUTPUT (A/MONO, B), SEND, PHONES: +7dBu