CONSULT A SPECIALIST: +40 356 228 228
EXTRA CONTACT LOGIN menu

Shure 565 SD LC


Dynamic Microphone

  • unidirectional dynamic microphone, ideal for vocals.
  • solid metal grille for durability and wind/pop rejection.
  • switchable Low-Z / Hi-Z impedance for versatile use.
  • frequency range of 50Hz - 15kHz for clear sound.
  • includes A25D microphone mount for easy setup.
Shure
14268
Currently unavailable. Request details
Central warehouse: 0
Add to cart
also deliverable via  Deliverable via parcel locker
722 points of loyalty
Shipping 12.00 €
Warranty 24 months
Returns 14 days

Shure 565SD, unidirectional dynamic microphone for vocals - predecessor model of the SM58 - known especially for its massive use at the Woodstock festival. The Shure 565SD features a solid metal grille, offers good rejection against wind and 'pops', has switchable Low-Z / Hi-Z impedance, and is equipped with an on/off switch. The 565SD is a popular choice for vocal applications on stage, in studios, amphitheatres, conventions, places of worship, and schools.

  • type: dynamic
  • cardioid pattern
  • frequency range: 50Hz - 15kHz
  • adjustable impedance: Hi-Z / Low-Z
  • sensitivity (1kHz): -56 dBV/Pa / 1.6 mV/Pa
  • weight: 298 g
  • includes A25D microphone mount

Product code: 565SD-LC

Unit of sale: piece

Specifications:
Audio frequency range: 50 - 15 000 Hz
Polar pattern: cardioid
on/off button: yes
mono/stereo/set: mono
Similar products in stock
SV200 SV200
Shure SV200
3479
-9%
in stock
Shure SV200
SV100 SV100
Shure SV100
3091
-15%
in stock
Shure SV100
Ultravoice XM1800S Set Ultravoice XM1800S Set
Behringer Ultravoice XM1800S Set
3674
in stock
Behringer Ultravoice XM1800S Set
DM-5.0s DM-5.0s
Wharfedale Pro DM-5.0s
1905
in stock
Wharfedale Pro DM-5.0s
PGA48-XLR PGA48-XLR
Shure PGA48-XLR
5793
in stock
Shure PGA48-XLR
ATR-1300x ATR-1300x
Audio-Technica ATR-1300x
3849
in stock
Audio-Technica ATR-1300x

Customer reviews:

03.04.2022, 21:04

Amphenol MC4M

This microphone, in the first version, connected via a male Amphenol MC4M connector, with threads and 4 pins. It wasn't XLR. You had two cables, with the wires soldered in the connector according to the impedance you needed, and if necessary, you could change the cables. Now you are forced to open the microphone and solder the wires inside the microphone, which doesn't allow you to change during the concert.

Automatic translation · Show original
10.12.2020, 08:34

Exactly what I wanted

I consider this microphone one of the best on the market!

Automatic translation · Show original
WhatsApp Messenger Instagram